attempt at reproducing ancient Chamorro pottery may be been a little too ambitious. I realize like with so many things in life it is important to learn to walk before trying to run.
shows that pottery came in a variety of shapes and sizes from oval and globe-like,
conical as in my first attempt and even flat.
Our ancient ancestors probably used these plates the the same way we use flat ceramic-ware today, for cooking and serving food. Some archeologists have even suggested that flat pottery may have been used to carry
The rim of this plate is raised and has a simple pressed design similar to the style seen on pottery sherds found in the Marianas. The center of the plate has a pandanas matt impression. EDIT: This was formed by hand without the use of a pottery wheel. When I took the plate in to be fired the good people there did not believe this was done without a wheel. Admittedly it would be easier, faster even, to do this on a pottery wheel but the idea behind reproducing the pottery is to also try to reproduce the way it was formed. That of course begs the question of why don't I use clay from Guam or harden the clay using fire, why use modern clay and kiln... The simple answers are, with living on the mainland I cannot get or produce clay from materials found in the Marianas. As far fire hardening the clay, I don't have the means to do that where I currently live.
This post isn't about history in as much as it is an opportunity to share something profound. In seeking information about Chamorro pottery and genrally learning more about the culture of the Marianas I came across the book Destiny's Landfall by Robert F. Rogers. I haven't read through the whole book so this post is not a book review either. What struck me as so profound and has given me a deeper appreciation for the Chamorro people are these two paragraphs quoted below.
Guam has served commercial maritime interests as a valuable communications and
supply point, the post contact history of the island has been – and continues
to be – determined primarily by strategic political and military factors beyond
the control or even the significant influence of the local people. Guam, in
short, was destined after Magellan to be a pawn in the realpolitik of foreign
powers. As a consequence, outside military forces have occupied the island uninterruptedly
for the incredible span of over 320 years.
Moreover, Guam’s post contact history has not
been one of successive and merging phases like waves falling on coral-ringed
shores, as have the histories of many other Pacific islands. Rather, the island’s
development was shaped by sporadic and violent invasions by alien forces. These
intrusions were largely indifferent to the complex adaptations evolved by humans
and other living beings for survival in the Pacific island environments in the
centuries prior to European contact. The indigenous Chamorro people of Guam,
small in numbers and vulnerable geographically, adapted to the harsh new
conditions imposed by each wave of conquerors and, in a remarkable feat of
cultural endurance, managed to maintain their language, their identity, and their
pride under the colonial domination of three of history’s most powerful
nation-states: Spain, Japan and the United States of America."– Destiny’s
Landfall by Robert F. Rogers I had a lump in my throat the first time I read this and as I transcribed it here through my keyboard, the words had a deeper meaning still. Throughout all the histories of all the places in the world it is remarkable that after hundreds of years of foreign occupation that the people of Guam have been able to hold on to so much of their identity where so many others have not.
Guam has a history of pottery making that is more than 3,000 years long. I realize now that I will need to do more research and have many more hours of practice before being able to make pottery resembling the style found in the Marianas.
I am by no means trying to become an expert in Chamorro pottery. I do find it interesting, sad really that I cannot find anyone who is currently producing what in my opinion are some of the more interesting aspects of Chamorro culture such as their pottery. Anyway I digress.
My first attempt at making a small vessel similar to an illustration found in Guam-pedia.
I have my clay anvils curing but in the mean time I did find a few small stones to use for anvils. I then whittled out a simple paddle from scrap wood to complete the set.
Getting this far with my first try was not difficult but I failed at making a good rim and eventually turned my pot back into a lump so I can try this again later.
It whas been several months ago when I tried making a sling using hemp that I found at one of those chain craft stores. I was very unsatisfied with the cord because it was so stiff and didn't blend well when braided. One good thing about the cord was that it was very consistent in diameter and probably better suited for making beaded necklaces. The sling functioned fine but I didn't like the look of my first hemp cord sling.
Well yesterday I stumbled across a great old school and locally owned hobby shop. Probably one of the last few standing. It was awesome! They had everything a hobbiest would want from model planes, trains, weaving, doll house making, plastics, beads, clay... everything. At any rate they had hemp cord so today I made a few slings using this new cord. It was windy and snowed all day so it was a good day to spend indoors making slings.
Here is a couple of slings I made using this new cord. The hemp was soft and easy to braid, blended well but had numerous lumps that had to be thinned out to get a good braid. It was a little more work to get even braids but I am happy with the end result. Since I made some smaller sling ammo, I had to make a smaller sling.
As a side note, the work pad I use to photograph my work has one inch by one inch squares so it should give an idea of completed project proportions.
EDIT November 12: I am not a weaver and I have only tinkered around with weaving on a few small items. As for sling making, I have wanted to make a good woven multi-strand sling for some time now.
I don't have a loom and I didn't want to just go out and buy one; what if I didn't like weaving? Well sometimes you just have to think outside of the box and creatively make due with the resources you have available to you at the time.
Here's what I came up with from what I had lying around the house. With a stick used to hold open the bedroom window, two wine bottle corks found in the back of the silverware drawer, rubber hair ties (thanks to my wife and daughters), hair combs and chopsticks I made this loom that I used to make the slings pictured above.
I don't know much about pottery but one way to learn is by doing.
It is believed that one technique used to make pottery on Guam was with the paddle and anvil. Basically the clay was shaped by pounding it between two objects, the anvil held on one hand and a paddle in the other.
Pottery anvils can be made of stone, hardened clay and I would guess even hardwood. I have not been able to find stone anvils to my liking so last night I made some clay anvils that I will fire to harden before I use them.
Next I will gather up some wood and carve out a few paddles.
Some of the slings I make are reproductions or maybe it's more accurate to say that they are representations and interpretations of slings from the Marianas and surrounding regions.
In researching, primarily through the Internet I came across this sling. Unfortunately I cannot remember the exact island this sling comes from and have not been able to link the photo back to its origin so I will have to update this entry later on once I figure it out. My only notes on the original picture tell me that the sling is from the Marianas and is made from coconut fiber.
As I've mentioned in previous posts, coconut trees and fiber are in short supply here in the Rocky Mountains so today I made a reproduction of this sling using cord my Che'lu Jose sent to me from Guam. Jose told me the cord is jute. Jute cord is made from plant fiber which technically makes Jose correct but this jute is not like what I normally find on the mainland.
This cord is much like what we, back in the days not so long used to call "hemp or Manila" cord. The cord is a loosely spun course plant fiber that is cured with kerosene or similar petroleum product. As a boy we would often see this cord used to bind bales of hay or fix the door on the chicken coup and we would use it for all those things that little boys playing in the woods like to do with cord.
Well the cord is a little tough to work with, can give you splinters but when it is twisted tightly, the fuzz lightly singed off, waxed then buffed with a cork it makes a very nice sling.
Here are three strands of cord as it comes off the spool, then the same strands after they have been worked and waxed.
The Sling and
Stone, Acho’ Atupat, was important to the ancient Chamorro people. Slings and
stones were carefully crafted and sometimes passed from father to son or from
mother to son through a brother or close relative.
through learning. Every time I make a new sling, something new is learned and
now in the giving spirit of Guahan, I wish to pass some of that knowledge on.
from Guam are made from pandanus or coconut fiber. Being so far from home it’s
nearly impossible to find pandanus or coconut fiber to make slings so I use
jute or sisal. Out of these two plant fibers, jute is the easiest to work with
and this tutorial will show you how to make a good Chamorro sling using jute available
at many craft or hardware stores.
This is a
simple pattern for a Chamorro sling and uses a six (6) ply, multi strand cord. This
means there are six individual strands that are twisted together to make a
single cord. In order to make this sling, it is best if you have five, six strand cords. Six strands that make up a single cord.
By using a thick strand cord like this you can cut down on the amount
of time it takes to make a beautiful reproduction Chamorro sling. This tutorial
is intended for a person who has basic braiding and crafting skills and
depending on how fast you can braid, this sling can be made in about two hours
from start to finish. Don’t lose heart if it takes longer. It took me more than a few hours to come up with this pattern. Additionally, if you
don’t have the exact materials used in this tutorial, you can still make this
sling work with any number of cords and strands available to you. You don't have to use jute. You can use cotton, poly and even craft yarn.
You will need
to know how to do a five strand flat braid (http://www.kingsmerecrafts.com/page73.html) however if you only know how to braid three strands you can still make this
sling. Instead of using five strands you will use six and pair two cords
together to make a three strand braid. Five strands and a five strand braid is
the preferred method for making this sling.
other tools you will need for this sling is a small knife, a few bamboo chop
sticks, rubber bands and a couple clothes pins. If you have a large sewing
needle that will help but it’s not critical to make this sling.
Acho’ Atupat (Sling and Stone). Sling stones were made from rock found on the
island, mostly limestone, basalt and some marble. There is also evidence that sun
or fire hardened clay was used for sling stones. I will add a tutorial on how to make clay slingstones later on. The sling and stone are a
matched set but even if you do not have an authentic Chamorro sling stone,
having ideal ammo is important to have on hand. In a pinch a small ball can
From the left, a Chamorro sling stone artifact, a coral then clay
reproduction stone; rocks from the landscaping found around town and even some cat toys (golf ball sized). These are all
about the size of ammunition you will need to form your sling’s pouch as I will shown later
on in this tutorial.
A COMPLETED SLING: A good Chamorro sling will have tapered finger and
release cords; beginning thick at the pouch then thinner as the cord forms near
the end. In order to achieve this affect, you will have to remove strands as
you braid but let’s not get ahead of ourselves because you will learn how to
CUT AND SIZE
YOUR MATERIALS: You will need five cords measuring 120 inches long. Remember to
add another 120 inch cord if you are going to make a three strand braid for
your finger and release cords.
SET UP: After
cutting your cords to size, find the center of your 120 inch cords and clamp
the cords together using the chop sticks and rubber bands as shown. You do not have to have to cut down the
chopstick for your clamps like those pictured here. I do because they're easier to work with.
The strands should be laid side-by-side. The center area between the
clamps will become the pouch of your completed sling. The sling’s pouch will be
four inches long to begin with but the final size and shape of the sling’s
pouch will be adjusted later on.
THE BRAID: The
sling will need to be secure while it’s being braided. A simple overhand loop
attached onto a nail, hook or door knob are some ideas but anything that can be
done to keep the sling secure while it’s being braided will be fine as long as
With your project secure, begin braiding five cords together for one
side of your sling. If you are using six cords for a three cord braid, pair
your cords together which will make three paired cords that will be braided
together to complete your sling. The braid must be tight.
clamped cords, continue to make a tight braid about two inches long then clamp your
cords using the clothes pins. Clamping the strands will help you keep your
THINING THE CORDS: Now we will begin thinning out the individual cords
in your braid to give your sling’s finger and release string a nice even taper.
Cutting out strands from each of the cords, one at a time as you braid will
give your sling’s cords a gradual taper essential for a sling with a clean
For thinning out the cords of the braid, you must keep the cords
organized at all times. Starting on the same side each time, grab one cord and
untwist it to separate the cords. You will need to untwist about three inches
of the cord to separate the individual strands that make up the cord. Next, holding
onto five strands of the untwisted cord, pull one cord all the way out,
separating it all the way from the other five strands that make up that cord.
Next cut the separated strand by scraping the edge of the knife against
the strand for a gradual feathered cut. This is an important step. Each strand
cut out from the cord must blend gradually with the remaining strands in the
take the feathered strand and lay it in between the other strands in the section
of untwisted cord and twist the cord assembly back together, blending in the
feathered end of the strand you just cut out. This will blend the strand back
into the other strands in the cord. This step will be repeated for each of the
five cords you will braid together to take this sling.
STRANDS: After you have cut out a strand from each cord, you must twist the
cord back together tightly. Once this step is completed for the first cord,
move to the next cord in the braid, untwist the cord, separate out one strand,
feather the separated strand with your knife’s edge then twist the feathered
strand back into the cord and twist it tightly, then repeat for each of the remaining
cords. Once one strand has been cut out of each cord, resume the braid for two
to three inches then clamp the cords with the clothes pins and repeat the whole
process again of cutting one strand out of each cord then continue to braid.
using the six strand cord in the materials list of this tutorial, each cord has
six individual strands. Continue to cut out single strands as you braid until
only two strands remain for each cord. You should now have five, two strand
cords that you will continue to braid together until you have completed the braid
for one side of your sling.
The bottom cord has six strands while the upper cord shows how a properly
tapered and twisted cord will look after four of the six strands have been
removed and the cord has been twisted back together.
THE POUCH: When you have one side of the sling completely braided then
it’s time to begin on the pouch. By this time you should have a pile of single strands
you have cut out as you braided the one side of your sling. Pick out the
longest of these salvaged strands. This single strand will be used to finish and
give final form to the sling’s pouch.
will be easier if you have a large needle to weave these strands together but a
crochet needle or a sharpened chop stick will work as well. Beginning about
half an inch away from the end of your braid, wrap one strand in between each
of the five cords that make up the pouch and continue to weave around this area
and between the pouches five strands until the braid and cords that form the
pouch are secure.
To complete this step, weave the loose ends back into the body of the
braid. By running the end of the cord back through the strands of the braid you
will adequately secure the ends. There is no need for glue or whipping to secure
the ends of your cord.
When completed, the area where the braid forms the end of the pouch and
braided sling string should look something like this:
POUCH: Even if you do not have an authentic Chamorro sling stone artifact or
reproduction stone, adding curvature to your pouch is an important step to
making this sling. The pouch of this sling must have a curved and recessed
pocket to hold the stone.
Begin by folding the cords that form the pouch over your sling stone. Pull
the cords that are clamped together and adjust the cords to evenly conform to
the shape of the stone. The outer cords, those on the edge of the pouch will be
shorter than those in the middle when the pouch is properly adjusted.
The photo below shows a side view of a properly adjusted pouch.
begin braiding the second side of the sling it is important that you make sure
that the pouch stays permanently set. I usually add a second clamp to make sure
I don’t lose my adjustment when I begin braiding the second sling string.
Begin braiding the second leg of your sling using the same techniques
previously used on the first string. Remove a single strand from each cord
about every two or more inches until you have a nicely tapered string. Bind the
area where the cords form the pouch, repeating the same steps for binding the
end of the pouch.
RELEASE STRINGS: The final length of the completed braided strings may vary. Overall
you should have two tapered braided strings of about the same length coming
from the pouch. From these completed braided strings you will form the finger
and release strings of your sling.
is a subject of much debate in the slinging world. If you do not have a
preference, it’s better to go long then shorten it up. From the center of the
completed pouch, measure 30 inches along one cord and fold the sling string. If
your completed sling strings do not measure more than 30 inches, adjust as
necessary to accommodate whatever finished length you have to work with.
After forming a loop, use one of the chop sticks to separate the cords
in the braid. Pull the end of the braid through this hole to form your finger
loop. Your finger loop should be large enough to fit over two fingers. This
will assure that your finger loop is not too tight.
Repeat this action of opening the braid up to feed the end of your
string through to complete the finger loop. Cut off the excess cord and
separate all the fibers, making a frayed end. This will prevent your finger
loop from coming loose unexpectedly. Your completed finger loop should look
FINAL STEP – RELEASE KNOT: Once your finger loop is formed, you will
need to complete the release string of your sling. A release knot is not required
but preferred by most slingers. If you do not want a release knot, just tie the
single strands of the release cord together. Your release string should be
about three to four inches longer than your string with the finger loop. If you
are going to use a release knot, the knot should be located at the same length
as the end of your finger loop as shown below.
completed sling will probably have some small lose strands and fuzz. Use a
towel or rag and rub the sling. This will lift the loose fiber up. You can
leave the sling fuzzy or use a light flame, a candle or lighter to singe off
this fuzz then rub again, repeat the singing process again if you desire.
Your completed Acho’ Atupat should look
something like this. The pouch should cup the stone and the strings should have
gradual even taper.
to make this tutorial complete and easy to follow but if you have questions or
need assistance, I am only an email away. Also, if you need the materials used to make this sling, including clay stones, let me know and I will be happy to send the materials to you.
If you are
on Guam, stop by the Che’lu Shop in the Chamorro Village. There you will find a
variety of slings, stones and many other beautiful hand crafted products.